CANDACE FLEMING

BOOKS

Giant Squid

illus­trat­ed by Eric Rohmann
Roar­ing Brook Press /
Macmil­lan , 2016
978–1596435995
ages 6 and up

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Giant Squid

The giant squid is one of the most elu­sive crea­tures in the world. As large as whales, they hide beyond reach deep with­in the sea, forc­ing sci­en­tists to piece togeth­er their sto­ry from those clues they leave behind.

An injured whale’s ring-shaped scars indi­cate an encounter with a giant squid. A piece of beak bro­ken off in the whale’s bel­ly; a flash of ink dis­persed as a blind­ing defense to allow the squid to escape — these frag­ments of proof were all we had … until a giant squid was final­ly filmed in its nat­ur­al habi­tat only two years ago.

In this beau­ti­ful and clever non­fic­tion pic­ture book about the giant squid, Can­dace Flem­ing and Eric Rohmann explore, both visu­al­ly and poet­i­cal­ly, this hid­den crea­ture’s mys­te­ri­ous life.

Resources

Awards and Recognition

  • Amer­i­can Library Asso­ci­a­tion Notable Book
  • Cybils Award for Ele­men­tary Non-Fic­tion 2016
  • Char­lotte Zolo­tow Hon­or Book
  • Chica­go Pub­lic Library Best Books of 2016
  • Horn Book Fan­fare 2016
  • NCTE Orbis Pic­tus Hon­or Book
  • NSTA/CBC Out­stand­ing Sci­ence Trade Books 2016
  • Robert F. Sib­ert Infor­ma­tion­al Hon­or Book 2017
  • Wall Street Jour­nal Best New Chil­dren’s Books

Reviews

  “Through engross­ing, infor­ma­tive verse, Flem­ing art­ful­ly intro­duces read­ers to a mys­te­ri­ous sea mon­ster that glides through the deep­est and dark­est reach­es of the ocean. Although some species of giant squid are as large as a bus, these ani­mals are rarely spot­ted by peo­ple. Sci­en­tists have been able to gath­er clues and assem­ble a body of knowl­edge about the unusu­al cephalo­pod from pieces washed up on shore or found by fish­er­men. In a sim­i­lar fash­ion, Flem­ing reveals char­ac­ter­is­tics of the squid piece by piece, begin­ning with a descrip­tion of its 30-foot-long ten­ta­cles. She shares what lit­tle is known about the squid and rais­es many yet-to-be answered ques­tions: Why does the squid change col­ors? Where does the female lay her eggs? As the nar­ra­tive reach­es a con­clu­sion, the squid jets away from a preda­to­ry bar­racu­da and dis­ap­pears into a murky cloud of ink. Rohmann’s full-col­or paint­ings are eeri­ly atmos­pher­ic. Bit by bit, each illus­tra­tion focus­es on a par­tic­u­lar part of the sea crea­ture until the entire squid is por­trayed in a dra­mat­ic fold­out spread. VERDICT Curi­ous read­ers will be inspired by the engag­ing text and stun­ning illus­tra­tions to learn more about the giant squid. An essen­tial pur­chase for sci­ence col­lec­tions.” (Lin­da L. Walkins, School Library Jour­nal, starred review)

  “Flem­ing and Rohmann (Bulldozer’s Big Day) draw read­ers in to the ocean’s murky depths in search of a sel­dom-seen crea­ture. Tips of arms and ten­ta­cles reach up from the bot­tom of the first page; more red­dish-white appendages appear in sub­se­quent scenes until the cephalo­pod they belong to is announced on the title page. Much of the giant squid’s exis­tence is a mys­tery, but Flem­ing pieces togeth­er what is known using vivid free verse and near rhyme: “With writhing arms / and ghost­ly, lid­less eyes / they glide.” Focus­ing on each of the squid’s body parts sep­a­rate­ly, the lyri­cal nar­ra­tive evokes a nature doc­u­men­tary (“Here are its ten­ta­cles, / two, / curl­ing and twist­ing and thir­ty feet long, / wait­ing for — / a pass­ing fish … / anoth­er squid … / any­thing swim­ming by”). Rohmann’s rich images place the squid against a shad­owy blue-green back­drop, and the entire ani­mal is only revealed in a penul­ti­mate dou­ble gate­fold, appear­ing out of an expan­sive cloud of gray ink. The assem­bling of this crea­ture from its parts to the whole, through both pic­tures and poet­ry, will cap­ti­vate audi­ences young and old.” (Pub­lish­ers Week­ly, starred review)

  “A mys­te­ri­ous giant squid lurks in the dark cor­ners of the ocean depths. Page-turn by page-turn, parts of the squid are revealed: first, a few ten­ta­cles sweep across the blue/black-hued ocean envi­ron­ment; then, a few more emerge, and then again even more, along with fish who are about to be devoured. (And this is all before the title page.) Sud­den­ly, the squid’s beak is front and cen­ter, and then a huge, star­ing eye. Just as sud­den­ly, the squid dis­ap­pears. Fleming’s cadenced text and Rohmann’s dra­mat­ic illus­tra­tions col­lab­o­rate beau­ti­ful­ly to build sus­pense and move­ment, as the squid and oth­er sea crea­tures bat­tle for sur­vival. Impor­tant sci­en­tif­ic infor­ma­tion sneaks in effort­less­ly: even as read­ers look for the next appear­ance of the squid, they gain knowl­edge of the animal’s feed­ing, breed­ing, and move­ments as well as insights into the many ques­tions about giant squids that are still unan­swered. The art­work is mar­velous; the murky blues and blacks of the ocean make it easy to appre­ci­ate how hard it has been for sci­en­tists and sailors to see the elu­sive squid — and how star­tling it must be when that enor­mous ‘ghost­ly, lid­less’ eye appears. In a spec­tac­u­lar reveal across a four-pan­el fold­out, bil­low­ing clouds of squid ink clear away, and we final­ly see the entire, mag­nif­i­cent ani­mal. Turn to the final pages, and once again ‘it’s gone.’ A dia­gram of the squid’s anato­my, a bib­li­og­ra­phy, and an expla­na­tion of the ways sci­en­tists lit­er­al­ly piece togeth­er infor­ma­tion about squids from body parts that wash ashore fol­low the main text.” (The Horn Book, starred review)