CANDACE FLEMING

BOOKS

The Rise and Fall of Charles Lindbergh

      

Schwartz & Wade, 2020
978–0525646549
ages 12 and up

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nar­rat­ed by Kirsten Potter

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After you’ve read The Rise and Fall of Charles Lind­bergh, try this book:

The Rise and Fall of Charles Lindbergh

Dis­cov­er the dark side of Charles Lind­bergh — one of Amer­i­ca’s most cel­e­brat­ed heroes and com­pli­cat­ed men — in this riv­et­ing biog­ra­phy from the acclaimed author of The Fam­i­ly Romanov.

First human to cross the Atlantic via air­plane; one of the first Amer­i­can media sen­sa­tions; Nazi sym­pa­thiz­er and anti-Semi­te; lon­er whose baby was kid­napped and mur­dered; cham­pi­on of Eugen­ics, the sci­ence of improv­ing a human pop­u­la­tion by con­trolled breed­ing; tire­less envi­ron­men­tal­ist. Charles Lind­bergh was all of the above and more. Here is a rich, mul­ti-faceted, utter­ly spell­bind­ing biog­ra­phy about an Amer­i­can hero who was also a deeply flawed man. In this time where val­ues Lind­bergh held, like white Nation­al­ism and Amer­i­ca First, are once again on the rise, The Rise and Fall of Charles Lind­bergh is essen­tial read­ing for teens and his­to­ry fanat­ics alike.

Awards and Honors

  • Book­list (starred review)
  • Book­list Top Ten Biographies
  • Book­list Best Books of 2020
  • Bul­letin of the Cen­ter for Chil­dren’s Books (starred review)
  • Bul­letin of the Cen­ter for Chil­dren’s Books Best Books of 2020
  • CCBC Choic­es 2021
  • Horn Book (starred review)
  • Horn Book Fanfare
  • Kirkus Reviews (starred review)
  • Kirkus Reviews Best Books of 2020
  • New York Pub­lic Library Best Books of 2020
  • Pub­lish­ers Week­ly Best Books of 2020
  • Pub­lish­ers Week­ly (starred review)
  • School Library Jour­nal (starred review)
  • School Library Jour­nal Best Books of 2020
  • Wall Street Jour­nal Best Books of 2020
  • YALSA Excel­lence in Non­fic­tion Award

Reviews

  “Flem­ing skill­ful­ly crafts a lay­ered por­trait of a con­tro­ver­sial fig­ure: Charles Lind­bergh. Well-paced sec­tions cov­er­ing Lindbergh’s soar­ing pop­u­lar­i­ty and plung­ing fall are divid­ed into engag­ing seg­ments. Pas­sages about his ear­ly child­hood estab­lish his close rela­tion­ship with his moth­er and the roots of his lon­er per­son­al­i­ty. In riv­et­ing detail and fre­quent­ly quot­ing from Lindbergh’s diaries and his wife’s, Flem­ing relates his plan­ning and exe­cu­tion of the solo transat­lantic flight that made him the most famous man in the world, his mar­riage and the trag­ic kid­nap­ping of his first­born child, his obses­sion with engi­neer­ing humankind’s immor­tal­i­ty, and the exis­tence of his mul­ti­ple secret fam­i­lies. Flem­ing fine­ly hones the stark con­trast between Lindbergh’s rise and his fall from grace after he became fas­ci­nat­ed with eugen­ics, sym­pa­thized with Hitler and the Nazis, and involved him­self in Amer­i­ca-first iso­la­tion­ist pol­i­tics. A com­pelling biog­ra­phy of a flawed, larg­er-than-life man.” (Pub­lish­ers Week­ly, starred review)

  “It’s not easy to write the biog­ra­phy of a per­son who elic­its, by turns, admi­ra­tion, sym­pa­thy, and revul­sion, but Flem­ing has accom­plished this jug­gling act, and in doing so, she has cre­at­ed a his­tor­i­cal nar­ra­tive that couldn’t feel more con­tem­po­rary.” (The Horn Book, starred review)

  “In this smooth­ly writ­ten, even-hand­ed biog­ra­phy, Flem­ing deft­ly con­veys how Lindbergh’s inter­est in avi­a­tion over­lapped with an inter­est in med­ical tech­nol­o­gy and efforts to extend life through organ life sup­port, which in turn con­nect­ed him with eugeni­cist Alex­is Car­rel. Under Carrel’s influ­ence, Lindbergh’s own phi­los­o­phy of human per­fectibil­i­ty bur­geoned, and it wasn’t much of a leap for him to artic­u­late hope for a future in which “supe­ri­or” Aryan whites (like him­self) would exceed cur­rent life spans and rule the mass­es in a polit­i­cal sys­tem based on sci­en­tif­ic rea­son (like Hitler’s Ger­many pur­port­ed to be). While nev­er jus­ti­fy­ing Lindbergh’s fas­cist lean­ings, Flem­ing con­tex­tu­al­izes his rise and fall from pub­lic grace with­in a zeit­geist of tech­no­log­i­cal promise, expand­ing media fren­zy, eco­nom­ic depres­sion, and glob­al polit­i­cal upheaval that enabled a celebri­ty to become spokesper­son for fringe caus­es. An exten­sive bib­li­og­ra­phy and source notes are includ­ed, as well as a sec­tion of peri­od pho­tographs.” (Bul­letin of the Cen­ter for Chil­dren’s Books, starred review

  “Flem­ing expert­ly sources and clear­ly details a com­pre­hen­sive pic­ture of a well-known, con­tro­ver­sial man. Her fre­quent use of diaries allows much of the sto­ry to come through in Charles’ and his wife Anne’s own words. The man who emerges is hate­able, pitiable, and admirable all at the same time, and this vol­ume mea­sures up to the best Lind­bergh biogra­phies for any audi­ence. A remark­able biog­ra­phy.” (Kirkus Reviews, starred review)

  “Though Charles Lind­bergh achieved fame and ado­ra­tion as an accom­plished Amer­i­can avi­a­tor, he was an over­whelm­ing­ly com­pli­cat­ed fig­ure. In an emi­nent­ly read­able, at times thrilling, and occa­sion­al­ly deeply dis­turb­ing biog­ra­phy, the wide­ly acclaimed Flem­ing (Amelia Lost, 2011) returns to the skies. In the book’s first sec­tion, she tracks Lind­bergh’s mete­oric rise to Amer­i­can hero, from his solo flight from New York to Paris to his mar­riage to Anne Mor­row and the kid­nap­ping and sub­se­quent death of their child. In the sec­ond half, she maps the fall: Lind­bergh’s grow­ing dis­gust with the Amer­i­can press and his anti-Semi­tism led to an increased admi­ra­tion of Hitler, and pub­lic opin­ion shift­ed as he advo­cat­ed for iso­la­tion­ism and white nation­al­ism. Through­out runs a com­mon thread: as he crossed the Atlantic in the Spir­it of St. Louis, as he searched for his miss­ing son, as he argued for eugen­ics and the envi­ron­ment in turn, Lind­bergh was a man obsessed with end­ing death. Flem­ing, who takes care to shine the spot­light on Anne as an indi­vid­ual, states that she want­ed Charles and Anne to speak for them­selves; includ­ed dia­logue pro­pels the nar­ra­tive and was tak­en direct­ly from their jour­nals and let­ters. Flem­ing places, in his his­tor­i­cal con­text and ours, a man of intense con­tra­dic­tions. Absorb­ing and dis­tress­ing in turns, this utter­ly pre­scient cap­ture of a life — and the lives it influ­enced — is essen­tial in class­rooms and for his­to­ry buffs alike.” (Book­list, starred review)

  “Flem­ing suc­cess­ful­ly decon­structs the pub­lic per­sona of Lind­bergh and high­lights how some of the aviator’s core val­ues (nation­al­ism, xeno­pho­bia) echo the country’s cur­rent polit­i­cal and social unrest. VERDICT A must-read. Draw­ing on pri­ma­ry sources, includ­ing Lindbergh’s own jour­nal, Flem­ing has craft­ed a cau­tion­ary tale of the down­falls of hero wor­ship.” (Cathy DeCam­pli, Had­don­field Pub­lic Library, NJ, School Library Jour­nal, starred review)

“There is no amped up mor­al­iz­ing in this fas­ci­nat­ing chron­i­cle for read­ers ages 12 to 18: Ms. Flem­ing lets Lind­bergh hang him­self, as it were, by word and deed. Encour­aged by an Amer­i­can diplo­mat to tour Nazi Germany’s air­fields in 1936 and assess Hitler’s war prepa­ra­tions, Lind­bergh swal­lowed the regime’s pro­pa­gan­da. He extolled “the orga­nized vital­i­ty of Ger­many” and declared that “Hitler is undoubt­ed­ly a great man.” A fer­vent iso­la­tion­ist, Lind­bergh traf­ficked in anti-Semi­tism that he seems nev­er to have repent­ed. Rep­re­hen­si­ble, estimable, com­plex: Ms. Fleming’s por­trait reveals a man of many parts.” (Meghan Cox Gur­don, The Wall Street Jour­nal)

“This sounds famil­iar to any­one aware of today’s news, and it’s obvi­ous­ly meant to. But Flem­ing respects her read­ers’ intel­li­gence and curios­i­ty — she tells us the sto­ry, but not what to think about it. Read­ing the book becomes an inter­ac­tive expe­ri­ence, with Lind­bergh inspir­ing awe in one chap­ter, empa­thy in anoth­er, then dis­ap­point­ment and dis­gust, with a study sup­ply of “Who is this guy?” We get the sense even Anne [Mor­row Lind­bergh] didn’t under­stand the man she was liv­ing with, and this sus­pi­cion is con­firmed when Lindbergh’s stun­ning secret life is revealed in the book’s final sec­tion.” (Steve Sheinkin, The New York Times, 23 Feb 2020)